Archiv des Autors: Wormys_Queue

Race and Culture and a Carnival

MusingsYesterday, I read two extremely interesting articles by The Angry GM about how race and culture can interact with each other. The first one, „Making Race and Culture matter in RPGs“ basically tells you not to be afraid of stereotypes, when it comes to the description of races. The main argument is that the human race – as the game’s standard race – is already built to be very flexible and to make any character possible, so the only way to stand out while playing another race would be to build on a strong archetype (which are sometimes dismissively called stereotypes) to avoid feeling like a human with . That doesn’t mean that any dwarf must look-alike, but even when you deviate from the norm, it’s better if you start with that archetype in mind, because it strengthens the design of your exceptional character and he won’t feel like a human in a costume.

The second article is from 2015 and discusses „Why Race isn’t broken in Pathfinder and How to fix it“ (I love that title :)). Here, The Angry GM talks about his issues with races having abilities that partly seem learned by training, partly being a race-inherited trait, which poses the problem that even when you’re growing up in a vastly different environment (let’s say an elf growing up in a human orphanage) and never had contact to your own people, you would still have those racial traits that you would have learned by training. What follows is a stroke of genius (well, The Angry GM might say: „What the s$&%y do you wonder? I f$&% told ya that I’m the best!“), because he uses the race building rules from the Advanced Race Guide to split the racial traits into two packages, one containing the genetic traits, the other the cultural traits, and now, when you’re building your character, you can just chose which packages to use so they better fit into the background of your PC.

That is simply awesome because it’s so incredible simple and even better, you can use the same system to build your own templates in case you use other races in your game. Which is highly interesting to me because I might fiddle a lot with the races‘ culture for my own setting and this gives me an easy way to do that. On a side note, I also planned to express a race’s culture by their choice of classes and archetypes respectively, so if for example, only elves are allowed to become rangers (stupid example, I know), members of the other races could, given the right cultural background, still take levels in that class.

Another topic: Campaign Mastery is hosting this month‘ RPG Blog Carnival. I had already planned to participate in that carneval for quite some time, and November’s topic seems at it would be a perfect fit for me to finally do it. It’s quite a long topic title, actually: “The Past Revisited: Pick a post (your own or someone else’s) and write a sequel. Should include a link to the original article if it is still online.” I immediately thought about an article I had originally written in 2012 (which would mean that I get extra points :D), ironically a sequel itself to a review I had written about the second issue of the Kobold Quarterly magazine. In that follow-up article, I had developed the idea for an adventure that was based on certain themes and topics in KQ #2. And more, I even had imagined how that would fit into a greater campaign arc. Nothing came out of it (in terms of me going on and developing that idea), but it stayed on my to-do-list, and this month’s Blog Carnival topic might just be the kick in the ass I needed to finally going back to that and doing a little series of Blog entries in which I expand on that idea.

I’ll probably start with translating the original article that was still written in German, and then go on from there. And if all goes well, I’ll end this month at least with an outline for the whole campaign.

Me and my generators

MusingsI’m a big fan of random stuff generators. They can be an incredible tool that sparks your own creativity and, in comparison to adapting (aka stealing) stuff from other sources, they don’t influence you with the added fluff contained in those. I mean, I steal from any source I can and have a lot of fun doing it, but really making those things my own is just that bit harder than if you just have the skeleton.

Take for example Immarion, my elven metropolis in ruins that I’m planning to get inhabited by humans. There are great examples for such a city and as a fellow fan of the Forgotten Realms, Myth Drannor comes to mind immediately; but while I don’t mind if Immarion has a bit of those Myth Drannor vibes that I like so much, I also don’t want this to be just a copy of what has already been done before. And while I might find a lot of valuable things in any of the old 2e setting books, I don’t want to make this into a simple plug ’n‘ play game (apart from any legal issues this would cause).

That’s where random generators can really come in handy. For example, Johnn Four from roleplaying tips.com just mailed my a link to a fantastic city map generator, that I immediately used to get a map for my elven city. I would love to have a full-colored, detailed city map somewhere along the road, but for starters, I can easily use this thing as a template for my adventures playing in this city. In the same vein, I might use a couple of other generators from one of the several fantastic sites I’ve stumbled upon in the past.

For example, I can use other generators to create the demographics of that city, I could fill it with randomly generated buildings and NPCs, I could even create whole plotlines and adventures based on random generators. So this approach can really be helpful to create something on the fly, but it can also serve to help you find a new angle if you get stuck writing your setting.

In my case, I might use those to get a feel for how the city originally looked like, before it got devastated by the war efforts of the humans and abandoned by the elves. What I especially need will be locations for the PCs to explore, monsters and other opponents to battle and treasure to be found. I already have some ideas about that, but I will probably need a lot of ideas for those parts of the city that aren’t integral to any plot I might come up with.

Here are the sites I frequent most when it comes down to using random generators. They contain a multitude of generators for different topics, so no matter what you look for, you might be able to find it at these sites.

Random Tables, a site I just stumbled about that presents a lot of links to other sites with generators.

Seventh Sanctum

Chaotic Shiny

Donjon

And a little shout out to d20srd, a site I used to frequent heavily when I was still running 3E games; when I visited it recently, I was pleasantly surprised to see that not only it got extended to include the 5E SRD, but that also the GM tools section was expended on with different generators.

Staring at Monsters – The Alp (2)

Ok, here are two ideas how to use Alps as the centerstone of an adventure:

When the metropolis of Immarion was settled by the humans that had survived the end of Veldenia, they couldn’t know that this would awake the vengeful ghosts of a past war. Only when a sudden outbreak of a strange illness befalls several members of the small human community, old ship’s doctor Haydriff suspects that there is more behind it and contacts a group of adventurers to find a cure for that illness.

Comments: I hinted at that in my last post, but the idea is the elven metropolis suffered vast destruction in the last war between elves and humans. A lot of Immarion’s inhabitants suffered a grueling fate and some of them became Alps. Now, when their ancient home is suddenly inhabited by their old enemy, they seek revenge. I could imagine one of the still living elves being the mastermind behind that attack, because he can’t stand the thought of his old home being desecrated by human presence

The little town of Yonder is threatened by a hunger crisis when the farmers around that town report, that their cows have stopped giving milk and smaller livestock is found crushed to dead on the meadows, without any obvious hints why this would happen. Investigations show that there’s only one farmer whose cattle is totally unaffected by those events, and it doesn’t take the other residents of that area long to suspect him of being the culprit behind that catastrophe. Fearing for his life, farmer Padley asks a group of adventurers to protect his life and to find out who or what’s the real villain behind these events.

Comments: For this idea, I imagine that this adventure starts at a time when the humans have returned to their old home continent. No one knows that Yonder lies where once a human city stood that fell prey to the devastation of the Cataclysm and became a mass grave for its inhabitants. Here I think I could easily use the shape-shifting aspect of the Alps, and to solve the riddle, the PCs might have to find out where those Alps came from and put their poor souls to rest to save the still living. Oh yeah, and why is the farm of Old Padley the only one not to be affected by the curse?

Word Count: 396

per/day: 340 (well, this needs to get better ^^)

Tetheril through time

teth_alphaOk, first, dammit, already failed the challenge I set up for myself on day 2. Well, I’ll simply pretend it didn’t happen. But in the meantime, I’ve read some blogs, had some ideas, so the adventure ideas for the Alp might still have to wait for a bit.

First off, I should talk a bit about Tetheril, the setting I’ve been brainstorming for a couple of years right now. In my head, it went through various stages, and as I’ve real difficulties to cut away stuff, at the moment, I’ve kinda kept all those stages and turned them into different time points of the same setting. Here’s what I have so far in chronological order:

1. World creation: The history of Tetheril is not really important at this point and serves only to explain how this world came to be and why certain things are different from what a standard D&D campaign might be like. Questions like why is there no plane-hopping possible and why is Tetheril still populated with planar beings? Why is magic functioning the way it does (or rather: doesn’t) and why are there no dragons? And when the status quo on all this questions start to change, what might this spell for the future of the world? I think I might get more explicit about all that stuff in another post, but as it just serves as a starting point for my ideas, it might change or even be totally rewritten at any time.

2. Once upon a time: Like in Eberron and Golarion, the actual campaign start coincides with a big world-shaking event. In my case, it’s a catastrophic cataclysm that completely destroys the continent that used to be the home of the human race and makes it absolutely inhabitable for the time being. The few survivors have no other choice than to seek shelter with the elves, which is a bit of the problem because the human-elf relationship was very shaky before. The elves will allow them to resettle a bigger island before the elven main continent, including the ruins of an old elven metropolis that was abandoned by the elves during the last war between elves and humans.

3. Nothing like the present: A whole lot of time later (think millenia), the humans have enough of the elven hospitality (for reasons) and decide to go looking for another home to live in. An expedition finds another continent and soon stumbles about hints that this might be the old human home of legends that no one knows why they had to leave it in a past long gone (the elves might know, but they aren’t saying :D). Humans start to resettle that continent that is not quite as empty as you might expect, given what I wrote about it’s destruction before.

4. You never know what the future holds: Well, actually I do know a bit about that. Again, time has passed, humans have settled parts of the continent, but so far, no one has able to find the location of the capital of the historic human kingdom. That might change , but you know the old saying? Be careful what you wish for, because you might not like, if you finally get it?

5. The big finale: Remember the questions I asked in the world creation paragraph? Well, there are answers to them, and my main problem with them is that while I know how I want them to answer, I have actually no idea how I can answer them without destroying the setting once and for all. This is really high level cosmological stuff which I might completely ignore except for the “one campaign to end them all”- campaign. If you have read the Marvel storyline before the 2015 Secret Wars event, when the Beyonders decided to completely destroy the multiverse, then that’s kinda what I’m talking about.

So what I have here is in fact several settings combined into one, and if you believe that I’m a bit megalomaniac thinking this big, you might be totally right. What it mainly does for me, is that it gives me several docking points for stuff I create/steal for the setting, because when something I stumble about doesn’t fit the part I’m working on, It might still be usable for another part of the world. Also it allows me to create adventure arcs (that I already have in mind), that can be played independently and still have common ground in that they are using the same setting. Plan is to work mainly at the earliest part of the setting and then go from there through time. But I’m a free man and I can totally change my plans as soon as another idea strucks me.

Word count day 3: 791

average word count: 436 *sigh*

Staring at Monsters – The Alp

In my last post, I said I would steal a lot from other bloggers, even if it’s only the idea. One such idea stems from The Daily Bestiary by Blogger Patch, a blog that goes through diverse Bestiaries since 2011, taking one monster at a time, commenting on their backgrounds and powers and then adding their own adventure ideas, 3 at a time. Initially, I thought about just taking those ideas and fleshing them out a bit (something I still might do), but then I thought I could give it a try myself and do my own adventure spark stuff. Apart from that, Patch started with the original Paizo Bestiary, and the first entry in it just happens to be the Aasimar, so I was willing to take that as an excuse to start with the much more recent Bestiary 6 instead.

Which has the Alp as it’s first entry, an old mythological creature whose name’s related to the English „elf“ that sits on a sleeper’s chest at night, causing them to have nightmares (which is „Alptraum“ in German) and drinking it’s victim’s blood. Originally thought off as a nature god, the Alp would turn into a demon in the middle ages, and it’s easy to see how the stories around it might be early predecessors of what would eventually become the vampire. While doing a bit of research on that topic, I also stumbled about an interesting article about sleep paralysis, which I found very enlightening and that also theorized about the existence of those creatures being early explanations for that phenomenon.

John_Henry_Fuseli_-_The_Nightmare

By Johann Heinrich Füssli – wartburg.eduimage, common license, Link

It is easy to see how the bestiary entry turn’s this creature’s traits into monster abilities. The Alp (CR 10) has several spell-like abilities like Deep Slumber and Nightmare, it can turn invisible via Greater Invisibility (in folklore, the Alp is often narrated as wearing a Tarnkappe, like King Alberich from the Nibelungenlied used to, before he lost it to Sigfried. It has a bite attack, draining it’s victims blood, and with the special abilities Crushing Leap and Nightmare Rider, it is able to pin and grapple it’s victim, making itself so heavy in the process that the victim gets serious problems with breathing. It even can shape-change into several smaller animals.

What I find interesting is that the entry makes the Alp‘ alignment into a Chaotic Neutral rather than an Evil entity. And in fact, mythology hints at Alps being able to be negotiated with, and while being mischievous in nature, they are not necessarily out to kill other beings, which I think would make for a rather interesting approach to a scenario, in which the PCs have to use their brains rather than their swords to get rid of such a beast.

But you know what? I already have nearly used all my 500 words for today, and one thing I want to avoid very much for the time being is to go over that limit, so my adventure ideas must wait until tomorrow, which also means that I’ll have another 500 words and can do a bit more than short online descriptions.

Word count day 1: 517.

Challenging myself

MusingsOk, I try something new. Beginning tomorrow, I challenge myself to put a daily post on my blog, that should have no less than 500 words and might contain anything RPG related I just want to get out of my system, ideally with my homebrew in mind, though it may also be generic stuff that I’ll have to adapt to the setting later on. I do have some ideas I want to tackle and a lot of them involve stealing ideas from others and making them my own. There are quite some blogs out there with a steady output of awesome ideas to peruse, I still have a lot of material to read which might also inspire me to put my own spin to it. In the end. this experiment serves first and foremost to force me to develop a steady writing routine; if you think about it, doing this on a day-by-day basis would mean that in 3 years‘ time, I would have reached the word count of the whole Lord of the Rings trilogy. Not that I’d think this far, but at least for me, this thought makes the idea of writing any kind of book (or at least a roleplaying adventure) much more realistic.

So, what ideas am I talking about? For example, I might flex my creative muscles and try to come up with some wondrous items. I’d try to limit myself and follow the rules set by Paizo’s RPG Superstar contest (and as this would only mean 200 words per entry, I might extend my post by additional ideas around that item). I might do the same with other parts of said contest just to challenge myself.

I also think about going through diverse Bestiaries, thinking about adventure hooks for different monsters or just about how to integrate them into my homebrew. Taking a map and creating new ideas for the use of that map. Musing about what to do with a 3pp class, and archetype or whatever comes to my mind. Converting stuff (especially adventures) to other settings I like to run or play in, multi-part “Wormy reads…” posts. And naturally there’s still the stuff I announced I would tackle with this blog and that I somehow never go through with actually doing. Reviews, posts about my homebrew, going through the old Dragon magazines and so on.

In the end, it’s more about that I write, not what I write. Direction might come later, but if I never start writing, I don’t need that direction anyways. And you know what, my blog’s not called “Wormy’s Worlds (plural!) for no reason. So I might even start to write about other worlds I live in (musics, comics, politics). The topics are all there, So the only one that holds me back from doing something with them is myself.

And you know what? From what my office program tells me, now I’ve just written around 500 words to get this from my chest. Wasn’t even very hard to get it done. I’m really good talking about the things I want to do (instead of just doing them) after all.

Dragon Magazine #27: Board Games and the Philosopher Stone

Dragon #27The cover of dragon #27 depicts a knight in shining armor readying an attack , lance in his hand, sitting on his horse. Good example of what Editor Tim Kask admits in this issue’s editorial, that some of the covers so far were, let’s say mediocre. And why’s he saying that? Well, #27 is another birthday issue and Mr. Kask takes the opportunity to look back on what The Dragon did well and what it did not so well. He’s also looking forward to what is yet to come, though most things he talks about come down to ‚more of the same, but better‘.

It’s Tim Kask again who reviews SPI’s The Battle of Agincourt, one of those battle simulation games I ‚ve not understood why to play them til today. As much as I’m a history afficionado (and even have studied it for some years), I’ve never had the least interest to play such simulations especially when the result of the game is enforced to ensure historical accurateness. According to the words of Tim Kask, Agincourt is such a game, where the English army will win every time as long as you’re playing by the book. This is like me playing a game of chess against Magnus Carlsen . Ok, but enough from me, Mr. Kask, while critizising some minor points, generally likes this game very much, so different tastes and all.

The game’s designer, James Dunnigan, follows up with some Designer Notes regarding this game. According to him, this game is more than just that, it is also a historical study regarding medieval strategies, tactics and battle formations. This also explains certain design decisions he made regarding leadership and morale factors. Still not my cup of tea, but at least I can see why someone might like activities like this.

The third Agincourt article by Steve Alvin is easily the most interesting of those three. The Political and Military Effects of Agincourt on the Hundred Years War describes the political situation and events in England and France leading to the Battle of Agincourt as well as the consequences and developments after this decisive English victory. I generally like those articles, because when you’re building your own world, they can be really helpful in inspiring the timeline of your setting and the relations between different countries.

Elementals and the Philosopher Stone by Jeff Swycaffer is the first D&D related article of this issue. Jeff presents a new system of 12 elements as well as 12 elementals. Interestingly enough, those 12 elements include Good and Evil (with their elementals being angels and demons), so there is a bit of alignment involved. Apart from those elementals already published in official products, each gets a short description of their looks and their special powers , while a table with game values makes them ready to be used in play. The article also contains instructions to build your own philosopher’s stone as an irregular polyhedron which can be used as a die. Which he uses to add simple rules for a more or less funny Question-Answer game. I think this article is mostly interesting for the fact that he seem to have influenced how D&D’s Inner Planes would be presented in later editions.

In this issue’s Sorcerer’s Scroll, guest author Bob Bledsaw gives his thoughts on what Judges Guild has done for the success of D&D as a whole. As I was a bit late to the party, I’ve never used anything by JG but I’ve heard more good than bad about it. And at the least, this article gives a nice overwiev about the product list, Judges Guild created over the years. Next is a short report on 1979’s Cangames, a canadian convention Gary Gygax visited. And he has a lot of praise for it.

Out on a Limb returns with a very longish answer to accusations against Ralph Bakshi in a former issue. And a very short answer by the editor himself to a really harsh attack against the critique formulated regarding the Soldier of Fortune magazine.

Next is a short articly by Gary Jordan about the use of a Tesseract as an Traveller Artifact, that can be used as additional storage room or as an escape pod in case of an emergency situation. What follows is a one-page comic by Tom Wham about „The Voyages of Exploration Ship Znutar”, which is mainly an advertisment for the game to follow up in the next issue. After that, it’s again Gary Jordan’s turn, this time with a short system for Star System Generation in the Traveller game.

Next article is the Designers‘ notes on Glenn and Kenneth Rahman’s game Divine Rights. Again, board game, so not too much love from me, but Minaria, the background setting for this game was quite awesome and I really enjoyed the article series Minarian Legends that would be later published in the pages of Dragon, but we’ll come back to that.

A quick look at Dwarves by Lance Harrop is a short summary of how the dwarven army might be organised. It comes with a chart for that organization which I guess could easily serve to form a dwarven army in any kind of system that has some rules for mass combat.

Aaaaand another set of Designers‘ notes, this time for The Emerald Tablet, which is a set of rules for miniature combat within a fantasy setting, that seems to be mainly remarkable for how it includes magic into the combat system though it seems as if this game never got much traction.

The second issue of Lawrence Schick’s and Tom Moldvay’s series Giants in the Earth presents Alan Garner’s Durathror, Fritz Leiber’s Fafhrd and the Gray Mouser and Edgar Rice Burrough’s John Carter of Mars. Never felt much use for characters from other settings in any of my games, but still like the series for the shout-out it gives to several more or less famous fantasy authors.

Next is a review about Philmar’s The english Civil War another board game, that seemed, according to Tim Kask, to suffer under a very shoddy presentation. It follows a game variant for the Imperium board game by Roberto Camino and a review by D.Minch for the air warfare game MiG Killers (what a name).

I generally like Jerome Arkenberg’s Mythos of… series, but with Mythos of Africa, I think that he crammed too much stuff into one article. I’m by no way an expert for african myths and folklore, but I know enough about the variety of the african people to be fairly sure that you‘ can’t do this topic justice on two pages. Now Arkenberg doesn’t pretend otherwise, but still I think that there is a lot of potential wasted by putting all of this in one pantheon.

Dragon’s Bestiary; The Horast by Mary Lynn Skirvin presents us with a fairly unimpressing monster that is also called the whipper beast for the whip-like tail it possesses and that it can use as a weapon in combat.

In the comics section we have another hilarious issue of Fineous Fingers, in which his friends continue their escape from the evil wizard’s castle. And last but not least, Gary Gygax presents us another issue of the Bazaar of the Bizzare, this time with the Bag of Wind, which comes in 5 variants named after the four winds of greek mythology and their keeper Aeolus. This item should be well-known to everyone who has read Homer’s Odyssey.

Wow, this took me along time. I hope you won’t have to wait for the next installment of my review series as long as for this one.

[Review]Weekly Wonders-Drunkard’s Grimoire

Weekly Wonders – Drunkard’s Grimoire by Necromancers of the Northwest is a collection of 12 alcohol-based spells presented in the artistic style typical for those product (nice tome-like cover, a few black and white illustration inside the book.) As stated in the introduction, those should serve to extend that theme on spell-casters and is partly inspired by the Cult of Dionysos, while so far, mainly Monks and Barbarians had alcohol-themed archetypes. Also in the introduction is printed a list of official alcohol-based content. It seems not to be complete (a short Google search pointed me at the official combat trait „Accelerated Drinker“), but I still give bonus points for including that, because it is also stated that the part of the spells work in conjunction with those class features and archetypes, so to have this ready as a reference may come in handy. There’s also a hint at another Weekly Wonders Issue (Drunken Feats), that also might work with those spells, but as I don’t have that product (yet), I can’t say if that’s the case.

With two exceptions, the spells are cast at either a living creature or at a drink that has then to be imbibed for the spell’s effect to take place. In those cases, the drink in question can be drunk as part of the spell casting, so the casting time is unaffected by that (same goes for alchemists that might use such a spell). To give an impression, a short description of some of the spells follows:

Beer Goggles: impairs the sight of the drinker, who gains save bonus against gaze attacks, but also becomes more susceptible to diplomacy checks and charm effects.

Blackout: impairs the target’s ability to form memories, so they can’t remember what happened after.

Deadly Tankards: makes tankards into weapons. Also, you won’t spill the content while using them this way.

Valorous Whiskey: Drinker gains cold resistance and a morale bonus on attack rolls saves and some checks.

In the end, if I had one thing to criticize, then that some of the spells would require the GM to work with the player spell-caster (because there’s no use casting a spell on some drinks if the NPCs simply won’t drink them), which might be a con for players who don’t like such dependencies. On the other hand, as the GM, I immediately had some ideas how to use some spells even to introduce the players into a new adventure, so at least to me, they have a positive inspiration factor. And that you can use some of them as buff spells with (rum) flavor is something I really like very much. Mechanically, the levels of the respective spells seem right to me, and I wouldn’t have any problem if one of my players would want to use some of them. So if you like the theme of this product, I think it’s well worth it’s price and grant it full five stars.

If I could turn back time…

Well, originally I wanted to make another post in which I put out some ideas about what to do with the „Abbey of the Crusader Goddess“ in my own setting, but as that could get kinda confusing I think it’s better to talk a bit about the setting itself, especially about where I started with it and where I landed at the moment. Because in fantasy worlds, you sometimes can turn back time and that’s what I did while mulling ideas in my head over and over again.

So where did it started ? It kinda started with this sentence I found in the 3.5 Eberron Campaign setting: If it exists in D&D then it has a place in Eberron. What a bold and impressive statement that was. And given that I was an avid reader of all things D&D at that time and that I tend to get a lot of ideas just by reading things, I immediately thought that it would be awesomely cool to make that statement my own and build a world containing all the ideas I found in the books or magazines I was reading (with the additional caveat that it should all make sense and still feel like a cohesive setting).

From that point I developed the idea of a world created by dragons, shut up from the rest of the universe in a closed demi-plane [insert long cosmological background here]. Dragons would have gone extinct on that world, and as they were the universal bearers of magic, magic would be all but gone as well. Until the barriers between that demi-plane and the surrounding material plane started to dissolve and magic crept back into the world (and with the magic the dragons would return), though that was planned to be the theme of the adventures to be played in that setting. By the way, I think the dragon theme was inspired by Eberron as well, as Tetheril (the setting’s name) was literally the ancient time dragon that created that world.

Now, the reason for the slow dissolution of the plane’s barriers was intended to be a big cataclysmic event that all but destroyed the continent on which the human race had developed. So I developed the idea that in a future age, humans would return to that continent to resettle it, eventually finding out what the mystery behind that cataclysmic event was. I’m not totally sure about the timeline, but I think that at that time, Pathfinder’s Kingmaker AP was published and I thought that hexploration was a good way to introduce players in a setting totally unknown to them. By exploring the continent, they would not only learn about the general setting, but they could also delve into the human race’s history and learn about past events as those started to shape the present and future.

In the meantime I had suffered a severe case of GM burnout and basically stopped doing anything roleplaying-related. I probably would have totally given up on the hobby, if not for Johnn Four, publisher of the Roleplaying tips, who started an adventure workshop in which he let me (and other interested people) take part in his design of an adventure and invited us to develop our own adventure parallel to his. I have to admit that I didn’t succeed with that, but it renewed my interest in the hobby and it brought some new inspiration. And this is where the first time jump comes in. Because when originally I had planned to start with the landing on their old/new home continent, the adventure I had planned for the workshop was intended to be a prelude to that, basically explaining the reason for why the humans wanted to go back to the old continent. (in short: after the cataclysm they had found refuge with the elves that lived on another continent, but because of old enmities they were basically living in a golden cage which is nothing human nature is suited for.)

I didn’t went through with this idea and again, things kept simmering in my stew pot brain, until I got (again) an email by John, in which he announced a second walk-through through his workshop, only that this time, he went from a messageboard to a homepage-based format. I started again, but in the meantime, another idea had formed in my head. And here comes another time jump back to the past.

Because in the meantime, I had found out for myself that one thing that I really don’t like in campaign settings, is that more often than not, that there are big-world-shaking events that you never get to experience first hand because the campaign starts well after those events took place. Think Golarion, where campaign play starts 100 years after the death of the god if humanity, think the Realms‘ Spellplague, that was a major shake-up between the editions, only that 4E started the campaign when it already was over (again, 100 years later). Contrary to that, Eberron really clicked with me because there the campaign started directly in the aftermath of such an event (the destruction of Cyre resulting in the end of the Last War), so the direct consequences of that were point and center of campaign play in that world.

So why not start directly after the destruction of the homestead of humanity (I would have started with it, but that would have meant explaining the mystery around that event) and the rest of humanity finding shelter with the elves. The idea was that the elves would allow the humans to settle an abandoned elven city located on an island before the coast of the elven kingdoms. So I could still have exploration of a new setting, but I could also explore what the loss of their old home and the reliance on what they used to consider an enemy would mean for the human survivors.

And this is basically where I am now. A huge elven city in ruins (think Myth Drannor) to be explored and to be settled by the PCs, maybe finding new allies (and enemies) in the process. That does not mean though that I’ve given up on all those other ideas I had before. In fact, wouldn’t it make for an awesome chronicle of the world of Tetheril, if I could succeed in developing the different parts throughout time and space and make them into a coherent hole?

Guess I’ll better start soon, because I’m only human and my life is finite.

[Review]Abbey of the Crusader Goddess

AotCGThe Abbey of the Crusading Goddess by Cian’s Basement Books comes in at 18 pages (1 cover page, 1 page ToC, so it’s basically 16 pages of actual content). Layout is simple, but clear, and the font size might be bigger than in other products but I found that it made reading the product quite easy, and I didn’t feel that it came at the cost of the content.

The product starts with a short description of the history and the location of the abbey. And while it’s described in a very general language, it’s easy to see that the inspiration for that probably came from Paizo’s Mythic AP. Still it’s generic enough that you can use it in any other setting easily. You can even reuse the 5 location hooks, giving a group of PCs a reason to travel there, which I think is a nice idea to have for a location. Then we learn about the local area, especially the village that has been built next to the abbey. There are several shops situated next to the abbey’s walls, and each of those gets a short paragraph including who owns it and what you can get there.

It follows a very detailed description of the five floors of the abbey and after that several statblocks detailing the abbey’s inhabitants, three for the more common members, then two important NPCs running the abbey as leaders. And last, there is a new feat, that grants the benefits of several orisons a number of times per day which is a nice way to grant a PC minor buffs without having the party cleric to cast them.

I haven’t talked about the maps yet. They are very simplistic in an old school kind of way, but also very clear and give you all the information you need and that are expanded on in the relevant test descriptions. Those maps cover everything I just talked about, from the abbey itself to every single floor.

All in all, I liked this product very much as it gives you the basics for such an abbey without adding to much fluff to it. This means that you might need to work a bit while you integrate it in any setting of your choice, but it also means that you won’t have to ignore too much (or anything at all) if you want to use it. It also has a special touch to it in that as written it is an abbey pretty much run and protected by women, but that doesn’t get forced upon the reader and could easily be changed if necessary. Though I like it very much this way.

So I’ll give it 3.5 out of five stars. And as this seems to be the first effort of a new publisher and as such, I think it has been well done, even if it isn’t on par with the more established 3PPs out there, as far as layout, artwork and maps are concerned, I don’t want too be to stingy with my stars so I’ll round up to 4 stars. If you have need of an abbey for your game and don’t mind to put a bit of work to add those fluff colours that integrate this into your setting, I think it’s well worth buying.